Soundproof studio near me1/21/2024 ![]() This shows you’re being considerate whilst allowing you to properly protect from the excess noise that they might make. If it’s a home studio, politely ask your neighbours if you can take some readings from inside their house/apartment. This includes the floor above and below if you’re in a multi-storey building. Take readings from as many different sides of the studio as you can. Now we’ve got our control room readings, it’s time to crank the music back up and go outside of the room. After all, you only need the screen to see your DAW. This is to completely remove that unwanted ambient noise. Many recording studios house the machine that you record onto in a separate room to the control room. Building a dedicated machine room or machine isolation cabinet is your best bet for reducing the noise floor. Noisey fans in computers and A/C units are the common culprits. If you’ve taken your noise floor reading and it’s too high, it’s likely that machine noise is the root of your problem. Imagine trying to mix a track whilst somebody talked to you? It’d be impossible due to all the extra noise. ![]() The reason for this is that too much ambient noise effects our ability to hear the subtleties of the audio we are working on. The ideal setting for any studio control room is a noise floor of 20dB. ![]() Machine RoomsĪ quick side note on noise floor and machine rooms. This will be your noise floor reading and tells us how much ambient noise is already in the room. Take a reading of the ambience in the room. Now that’s done, mute the desk and stay as still as you possibly can. Your listening position is likely to be a pretty good place to get a useful reading. Move around the room and try to find the loudest position in the room. Grab your trusty SPL meter and take a reading of the level in your studio space. This is handy for the purpose of taking measurements. Equally, flicking your system into mono means an equal distribution of sound throughout the room. You need to make this sound obnoxiously loud so that there is no risk of under doing the soundproofing. The best way to do this is to load up a song you love and know well and crank your audio interface to the loudest you’re ever likely to be working at. This is why it is important to take measurements both inside and outside of the studio space. However, you will still have to deal with some degree of sound leaking in. If you’re lucky enough to have a studio that’s in the middle of nowhere, you’re not going to be too worried about sound leaking out. As such, we must begin by taking some SPL readings in both the studio space and the areas around it. Without some standard measurements as a base to work from, you have no way to determine if what you have done is effective. When it comes to soundproofing your studio space, everything is relative. ![]() Now, let’s jump into today’s topic of studio soundproofing! Noise Floor & SPL Readings These two topics go hand in hand and having a sound knowledge of both will really help when you’re trying to implement either. I’d highly recommend that if you haven’t checked it out already, you read the article on acoustic treatment. Studio soundproofing is the act of stopping sound from leaking in and/or out of a studio space. Acoustic room treatment is the act of using diffusion and diffraction to create a neutral monitoring space with a flat frequency spectrum. These topics can often become confused so let me quickly define them for you so you know what it is you need. Today, I’d like to offer you a part two to that article that covers studio soundproofing. Back in January, I wrote an article covering acoustic room treatment.
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